Monday, January 23, 2012

Free-Motion Quilt Challenge

Ann Fahl, machine quilting her Coneflower Fiesta quilt! Join her in March for the FM Quilting Challenge.

A 12 month free-motion quilt challenge that has just begun.  There is a black and white icon at the very bottom of this blog, when you click on it, you will find an explanation and a place to sign up for this no-fee class.

I will be providing the tutorial for the month of March!  And, I will  follow the famous Diane Gaudynski who will be featured in February.  If you have always wanted to improve your machine quilting, this is your chance.
  • 12 months
  • 12 instructors

Check it out.

Ann Fahl

Thursday, January 19, 2012

Oreo is Moving! La Conner to Anderson!

It is time to announce that Oreo's next exhibit will open soon:

January 29-March 25 2012
Opening reception Jan 29, 1:30-4:00
Open Tuesday through Sunday from 1:00 - 4:00 p.m.
-- and they have an interesting gift shop too. 

Anderson Arts Center

121 Sixty-Sixth Street
Kenosha, WI 53143

The public is invited.  Donations accepted.

Valentine for You, a quilt for Valentine's Day by Ann Fahl
 
There will be two exhibits showing:
A Black and White Tale, all of the quilts in the book will be on exhibit.  
Ann will be signing books at the opening
Quilts in Color: The artists are Rhonda Rodero, Melody Johnson, 
Marcia Stein, Barbara J. Schneider, Gloria Hansen

The Anderson Mansion.  Galleries on two floors in a beautiful setting.
I haven't seen the complete exhibit on both floors yet, it is still being set up!  But what I have seen is amazing!  You will love the variety of subjects, use of color, and expertise that all the artists bring to this beautiful art center.  If you live anywhere in the midwest, please  put this on your calendar.

There will be more about this diverse exhibit in the future.

Ann Fahl

Saturday, January 14, 2012

How to Avoid a Problem Shipment (or what I learned from my terrifying evening!)

WARNING:  This is a long post. Make yourself a cup of tea/coffee before you sit down to tackle this blog!

Coneflower Fiesta, one of the quilts is the problem shipment
Terror, that's what I felt when I learned that my complete show of quilts, packed in 8 boxes had been delivered to house several blocks away, and were sitting outside all day.  It was time to change how I ship and return-ship my quilts. When you are preparing to ship a quilt, think of the awful things that could happen to it, in transit, and after it arrives at the destination. How can you wrap it to protect it as best as you can? I thought I had taken care of everything!
Have a written appraisal for proof of quilt value
 1. Have your important quilts, (the ones that travel to shows, contests and exhibits) APPRAISED.  Fortunately I began having them appraised about 5 years ago. Find a qualified appraiser to create a written (not verbal) appraisal of your work. If a quilt is lost you must be able to prove what your quilt is worth. Just because you think your quilt is worth $10,000 your insurance company might think it is only worth $500.
Insure your quilts.  Talk to your agent to determine the correct coverage for you.

2. Insure your quilts.  Once they leave your home and are entered into a quilt show your home owners policy no longer covers them.  Check this with your insurance carrier to be sure.  I have an "inland marine" policy that covers items that travel.  If you regularly ship your quilts, you must carry your own insurance!  Years ago I gave up trying to insure each shipment when I went to the shipping counter. That is when I began insuring my work privately.  Shippers will usually state somewhere that they will not insure one-of-a-kind or works of art. 

This is a page from my Quilt Inventory notebook. I keep track of every quilt I've made, size, year, description, price, and eventually its new owner.

3. How much to your insure your quilts for? In the beginning I sent my agent an inventory of what I owned, to use as a starting point.  Tell them how much your work travels, how much is out on the road at any one time, and keep them updated every year or so with what the total value is.  Let's say you have $100,000 of quilts in your closet, your agent will figure out how often the stuff moves, how much to insure on your premises, how much is in transit, and how much is at another location on display.  The insurance company will figure out what dollar amount will cover the possible risks. This may take a few days to be determined.  Make sure your agent thoroughly understands what you are doing with your quilts.
The quilt is rolled around a tube, wrapped in a plastic sheet, ends tied securely. Place an address label on the outside of the "tootsie roll"

4. Pack your quilts carefully avoiding wrinkles and creases.  Always enclose the folded or rolled quilt in a heavy plastic bag, or in a large sheet of plastic. When rolling my quilts I slice open a heavy garbage bag so it becomes a long flat piece, snugly roll up the quilt, and tootsie roll the ends. Think of what might happen to the box with a quilt in it.  It could get dumped out of the box into a puddle, the box could fall off the truck and get run over and the list goes on.......  A heavy plastic bag when securely wrapped around the quilt can protect it when it is dropped on the ground, in a puddle or left to sit in the snow.  These things happen. A container from a traveling show once opened up at a shipping warehouse, the quilts dumped out on the dirty floor, 2 of the 8-10 quilts in the container had to go to a textile conservator to be cleaned, the shipper paid for it.

These telescoping boxes made the round trip from Wisconsin to LaConner WA and back
5. Use a strong cardboard box, they may be reused, but after two round trips I recycle the boxes.  I have found using telescoping boxes by U-Line #4872 easy to use, but not inexpensive.  You change the length of the box to fit the quilt.  If the box is beat-up before it leaves your home, it will really be in bad shape when it arrives at its destination.

6. Choose a shipper that services your area.  I will continue to use UPS, I think they provide a great service, and I will continue to entrust my quilts to their drivers and trucks. Take advantage of the tracking that your shipper offers.  You can check on the progress of your boxes at the end of each work day. With UPS there is no charge for this service. If you like another shipper, and you trust them, get to know their counter people, and set up an account with them. If you get to know the employees they will be extremely helpful when you run into problems.

7. Write down the phone numbers of your shipper in your personal phone book.  If a shipment is missing and you are upset, you may not be able to find the right phone numbers on their website!  So go look for them now.

8. Put your labels on everything.  Print up a good sized fabric label and sew it firmly to the wrong side of your quilt.  Stick an address label on the plastic that covers your quilt.  If the box opens and the contents fall out, there should be a name and contact information right on the plastic covered quilt.  Attach one to the inside of the box too.

9. Never let a quilt out of your control if you don't have GOOD photos of it.

And this is what I  should have done:

10. Always send with "quilt signature required" option.  UPS charges about $4.50 per package for this service. I chose not to do this because of the extra cost.  I figured I would stay home the day the quilts were due and there wouldn't be a problem!  And of course there was.  I never dreamed the driver would deliver all 8 boxes to the wrong address!  The place where they were dropped off, no one was home. With signature required, the driver wouldn't have left them sitting outside.  At least they would be more secure riding in the delivery van. Hopefully someone would have rechecked the address, and brought them to the correct address.

11.  When shipping more than one box, ship them on different days. This way all the boxes won't be riding together. Early in my quilting career, a semi loaded with quilts going to a show, caught fire and burned up. What if your quilts were on that truck?  Can we plan for everything catastrophe?  We need to try.

Several years ago, I was dropping off some packages at the shipper.  It was a warm day and the sun was shining. A semi trailer full of damaged packages had been dropped off, unloaded, and several workers were going through the packages.  A large truck had evidently been in an accident and the boxes looked like they had gotten wet and were twisted and beat up. The workers were deciding, what could be sent on to the recipient, and what would have to be destroyed. All the recipients would have to be notified about their damaged packages. What a mess.  The whole scene made me sick. There must have been some special treasures included in some of those packages, what if your quilt was in that mess?

12.  Robbi Eklow has a different solution.  She rents a mailbox at a service.  When a quilt is delivered to her suite and box number, the carton is safely held  behind the counter until she comes to pick it up. I must point out, that this is not an option at the United States Post Office!  This is a private service offered by UPS or Pack-n-Ship type businesses. This is a good option, for small shipments.  My 8 long boxes would have taken me 2 or 3 trips in the car to get them to my studio, but they would have been safe!

13. I am aware that nobody died and no person was injured, so I have to keep this mess in perspective. Yet I realized that our quilts are great treasures.  If one is lost, a part of the maker disappears with it. A little part of us is stitched into each one we make. Yes, it would help to have an insurance settlement, but nothing can truly replace the thing that we spent so many hours creating.

Keep those quilts safe! Please feel free to add your ideas here.

Ann Fahl

Tuesday, January 10, 2012

On the Front Porch--My Journal of Terror

January 9, 2012

To think, this morning I didn't have any idea of what to blog about! Things have changed.
Fall Fun
The drama begins............

My complete show from the La Conner Museum, was to arrive this morning, in 8 boxes.  I waited all day, and no quilts.  So at 5:30 pm, I tracked one of them and found that they were left on a front porch at house with the same number, but on the wrong street.  Terror almost stopped my heart. I tracked the remaining 7 boxes, and they were all delivered to the same incorrect address.
Hairy Homage
 I called UPS, and they found that they did indeed deliver them to the wrong address. By this time my voice was shaky.  Candace  was very calm and said she would work on this right away, and someone would call me back within the hour. In the meantime, I got in my car, drove several blocks away, and looked at everyone's front porches, but  it's 8 hours later, and it is dark outside. I talked to several people that were walking dogs and one lady that gets lots of deliveries, but no one knew anything about my 8 boxes.
In the Black Eyed Susans
 All I can think is that my body of work is sitting on somebody's front porch.  Would it be stolen?  Where was it? Thank goodness it didn't rain or snow.

As I pulled into my driveway from my personal search, my husband was standing at the front door talking on the phone.  This time it was Glen at my local UPS delivery hub.  He told me they had already picked up the packages, and would be delivered the next day. I didn't really believe him, as I had found there was no such address over on the incorrect street.
Coneflower Fiesta, my featured quilt at the exhibit
Glen called back a few minutes later and said my shipment had arrived and had already been loaded onto the truck that would deliver the boxes tomorrow, hopefully to my address. He had spoken with the driver that had picked up and returned the boxes to their depot.  So, all I can do now, is relax and hope for the best. Did I say "rest?"  
End of the Day
 It's going to be a long night until the quilts arrive.  Keep your fingers crossed.

January 20, 2012

I didn't sleep too badly last night.  I've tracked my packages, some say they've been delivered, some say they are back on a truck for delivery, so I trust what Glen said last night, that the packages will be redelivered. I've planned my activities for the morning, so that I will be able to hear the doorbell ring when that wonderful UPS man arrives!

I'm cutting several hanging rods for my show that opens at the Anderson Art Center on Jan 29.  As I drill the last hole in the end of the last rod I hear the door bell ring.

The drama concludes.........

It's 8:36 am the UPS man has delivered the 8 long boxes.  I am so relieved.  I have learned several things from this "opportunity for learning."  I will share those with you next time.


Ann Fahl



!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!


Friday, January 6, 2012

What's in the Bag?

This is the bag that stores the miles of bias binding that I have left over from quilt making! I keep a special collection of stripes and plaid fabrics that I like to use for bias. I think bias makes the best and longest lasting binding. (I feel so strongly about this that I wrote a booklet about it.)  There is a strip of almost everything I have in this binding bag, so when I'm auditioning binding fabrics, this bag always gets pulled out.

Last week, in an earlier blog I asked you to vote for how you thought I should bind or face the outer edges of my collage. I initially wanted to face the edges, but something inside of me kept telling me to bind the edges instead. So here is the finished quilt. It is just funky and fun.
Scraps of a Different Color, (c) 2012 by Ann Fahl 32 x 21 inches
I chose to bind it with two of the darker fabrics.  This gives only a slight contrast to the outer edges. I used the blue/green stripe on the left side and the charcoal/red print on the right.

Now that the quilt is complete, I've attached the hanging strips on both the top and lower edge of the quilt back.  The label is attached, which identifies the quilt and me as the maker, and will shortly be uploaded on my website. Also it gets its own listing in my quilt inventory notebook. The digital photography has been taken and stored. My initials always go near the lower right corner. On this quilt it is located near the white spade-like shape.  So it is truly finished. Nothing more needs to be done to document the fact that I made this quilt.
The actual ginkgo leaf I used for the pattern was given to me by my neighbor. She had just been to the library on Lake Michigan and found the leaf.  I immediately cut one out of fabric but never used it.  So this leaf has been pinned up on my design wall for years.  It is good for it to have a real home. I quilted it with a wonderful variegated Superior gold thread.  The purple cup in the corner is from Ginkgoes Galore.
The fish is something I cut out years ago, I think they may have been part of the fish left over that could have been included in Fish Tales! Fish Tales is included in A Black and White Tale.  The coneflower lying on it's side is from the quilt Sewn Together. The little ginkgo leaf is something of which that I've used hundreds.
The pink coneflower is from a large quilt that I am currently embroidering. The cup is from Ginkgoes Galore. The large green hand painted and beaded leaf is from one of my all-time favorites Summer Sanctuary.  I painted hundreds of these coleus leaves and only had 2 or 3 remaining.

As usual, even though I've made a good attempt at using my little fusible scrap shapes, I still have many. It's difficult to close the drawer that holds them.  There will inevitably be more in the future.  It's a challenge to see how I can put them all together.

So here it is for you to enjoy, part of my quilting life in scraps!

Ann Fahl