Folding Quilts: Storing and Shipping without Creases

Summer Sanctuary, quilt by Ann Fahl 48 x 53 inches*

It has been a long time since I wrote the article for Quilter's Newsletter Magazine about bias folding. Without a doubt it is the all time most popular topic I've ever authored.

Since birth, I've been a textile person. My great grandmother gave me a quilt, which was nothing but a tiny strip of cloth by the time it got to my youngest sister.  All that was left was a piece of binding, perhaps 2 feet long, she called it her "yum yum."  My quilts have changed since then.......

Creases in Quilts

From the beginning of my quilting career in 1978, it troubled me that women would unwrap their precious quilts to share with others and that horrible center fold would mar the overall effect of the quilt because it was on the straight of the grain. These creases became a breast sticking out in the middle of the design that destroyed the appearance of their beautiful work.

Folding in Thirds

 

Several years later an instructor mentioned that if one folded a quilt in thirds instead of halves, this wouldn't happen.  And she was right. Chances are the quilt wouldn't be creased in the same place twice when divided in three.  This was the beginning of my quest to find a way to send and exhibit my quilts without hard creases.

Rolling Quilts

 

The obvious way was to roll my quilts on cardboard tubes or small PVC pipes.  Wrap the cardboard with muslin to protect the fabrics from glue and other chemicals in the paper.  To this day, I continue to store all my quilts this way.  When shipped, there is extra cost involved when sending tubes.  For the most part, show producers can deal with receiving and reshipping the tubes.

Shipping Quilts 

 

First I used 4" PVC piping with rubber caps. This worked quite well, but the PVC eventually cracked. Unfortunately they weighted quite a bit and this method became too expensive. Next, I began using the telescoping boxes from Uline S-4872T.  These are much lighter and easy to ship. But the boxes are becoming quite expensive.  If the quilt shipped is quite large there are additional charges involved in sending extra long packages.

Folding Quilts and How-To

So, I'm back to sending my quilts in square boxes. This is the most economical method. Then there is the same old problem: the quilt arrives at its destination with hard creases.  The answer is to fold the quilt on the bias.

This is how it is done.

Lay out the quilt on a table or flat surface. Fold the first corner into the middle.

Take the second corner and fold toward the middle.

Fold the third corner, notice that the corner goes past the edge.

The third corner has been folded under.

The last corner has been folded up and anything that hangs over has been tucked in, just like before.

You now have a neat little package to fit on a shelf in the linen closet, a shipping box, in the tote bag to take to guild meeting, or your suitcase.  If it is too big to fit the space, then open up the quilt and bring the corners further into the quilt and your package will be smaller. After you've done this a couple of times, you'll be comfortable with the procedure.

Why does this work?

 

When a fiber is folded on the straight of the grain, or on top of itself, the fiber is crimped really hard.  If a fiber is folded on the bias, the fold is much softer and causes less damage to the threads in the fabric. When a quilt is bias folded, it can be unfolded, shaken out, and the creases will hang out quickly. When folded on the straight, especially for a long time, the creases may never come out.

When shipping to shows

 

Bonnie Browning asked me to state that AQS would prefer that entrants fold the quilt with the right side on the outside of the package. Fold your quilt in which ever way you feel is appropriate for your purpose.  But always fold on the bias!




Happy folding, and have a good summer.  I'm going to work out in the garden.
Ann

*I chose this quilt Summer Sanctuary  to demonstrate the technique because it has a green front and a red back. It is easier to distinguish between the two!

Frozen Winter Projects

Usually after the holidays I find it difficult to begin a new project.  This year I had numerous things going at once.  Early January I flew from frozen Wisconsin to Florida to visit friends and relatives.

First I visited my cousin Janet who lives outside of Orlando.  We spent 3 days together. It was wonderful to be with her, and we could be outside in shorts and t-shirts!  So I made a tiny quilt for Janet and her husband.

Winona Winter 2013, quilted photo by Ann Fahl, © 10 x 8 inches

When one doesn't feel too creative it is a good idea to make something small.  So I chose one of my favorite photos of Winona Lake, IN; (Janet and I both love Winona) added two borders and quilted the photo for them.

Winona Winter 2013 detail

I love how the quilting accented the piles of ice along the sidewalk.  I used a variegated gray/brown for the dark areas and a solid light gray for the snow.

After my visit with Janet, I drove up to Amelia Island and visited my friend Sally. Sally was the designer for my book A Black and White Tale.  She was staying at a wonderful house right on the ocean. The view was absolutely amazing. Again, I was comfortable wearing shorts and t-shirts.  It gives you a great sense of freedom, not having to wear heavy winter coat, scarf and boots. Sally is always taking photos with her iphone. Following her lead, I took some too.  We had a short but adventuresome visit. We shopped, ate all our meals out, and even took a boat tour of the area.

Vacation With Sally, a quilted photo collage by Ann Fahl, ©12 x 10 inches

For Sally, I made a photo collage, using some of the pictures I had taken, and one that Sally took. One of the strong visual elements of the beach house was the stairway over the dunes.  You will see it on the right side.  On the left is a sliced up photo of an old shrimp boat that is still operating on Amelia. The dark diamond shape is a picture by Sally that was an image of a beautiful hosta-like plant that I was waiting to see bloom.  It bloomed after I flew home, so Sally sent me the photo. Behind the diamond is a look down the shoreline.  Above it all is a combo of sky-scapes that I layered on top of each other.

Detail of the diamond photo taken by Sally

This was great fun, experimenting with Photoshop and transparencies at many levels.  After it was printed on "Printed Treasures" fabric, I added a double border and quilted it.

Detail of the boardwalk and stairway

For the quilting of all the above pieces I begin with monofilament thread in the top and bobbin.  With feed dogs down and darning foot installed, I outline the basic structure of the quilt. Then I begin adding colored threads.  I have found that using the Bottom Line on the top is great on photos because it is a fine thread, and allows the photo details to be seen.

When heavier thread work is called for I use whatever I want! Both the above quilts have wool batting and are bound with bias binding.  Bias makes a finer, longer lasting edge that using strips of fabric cut across the grain!

By the time I completed both of these quilts, I was ready to begin something a little bigger.  This will be the subject of my next blog.

Needle UP? Needle DOWN?

That is the question.  Having a needle up/down option on your sewing machine makes the job of sewing so much easier.   Once you have the needle up/down option, you can never have a machine without it!

This is the needle up/down on my machine.

When I'm quilting on a piece, if I stop the machine to rest for a moment, the fabric or project can't shift on me if it is set for needle down. Then when I start sewing again, I carefully begin stitching slowly, working up gradually to my regular speed.  If well done, the starts and stops shouldn't show!

When quilting, I like to set the machine for needle down.

When doing free-motion embroidery, I guess it really doesn't matter whether the needle stops in the up or the down position. The starts and stops aren't as visible.

Piecing, is nice when the needle stays up. After each seam is finished, the needle is up and the pieces may be easily removed from the needle area and threads clipped. When I attach bias binding, I like the needle down.

If the project is applique I usually choose to have needle down. If I have to pivot at corners, or have smooth curves, it's nice to have it set down.

Especially when pivoting is necessary at corners, I like the needle to stop down

If you are sewing on a new machine, take the time to notice which way your prefer to set your machine for different tasks.  Then when you begin sewing for the day, set your needle position accordingly.

Caution:  I'd like to leave you with one caution on this subject. Never leave the needle in the fabric or project for long periods of time.  If you are finished sewing for the day, make sure the needle is up.  Should the fabric get pulled away from the machine it won't tear or rip your project.

Hockey project update:  I'm spending time each day doing the embroidery and applique on my Hockey Garden quilt. I still need a good suggestion for a title!  Any ideas?

Ann Fahl  

To Bind or not to Bind.......

That is the question...............................................................

I've just finished quilting my crazy collage piece.  It has been blocked and trimmed so it is a perfect rectangle.  During the quilting phase, I've just not been sure how I wanted to handle the outside edges.

Here is the collage, quilting complete, edges trimmed, ready for finishing.

So it is time to make the big decision.  Sometimes I want to have a contrasting trim on the outside edges. Lately, I've been more tempted to face the edges of some quilts, to avoid having to sew the binding on the edges.  Sometimes I think it is distracting.  So what do I do in this case?  What do you think?
Bind or face?

Here is the trimmed quilt with 3 choices of bias laid on the outside edge.

• Choice 1 is the black fabric with blue, turquoise and green subtle striping
• Choice 2 is a charcoal gray print with light gray and red accents
• Choice 3 is a stripe which includes most of the colors of the little pieces within
• Choice 4 is facing the outside edges so there is just a clean edge

I think I've made my choice, but let me know what you prefer and why.