Walk Through Ellen's Garden: a winter treat

The other day, a copy of Thread Magic Garden, by Ellen Anne Eddy arrived.  What a beautiful book.

Water Lily Sunset, quilt by Ellen Anne Eddy

When I opened the book and saw the title page and table of contents I was hooked.  Beyond these first pages the entire book is rich with color, detail and texture of her wonderful new work.  Ellen and I think the same way about our flowers and gardens:

"My garden intoxicates me.  The sights and smells, textures 

and sounds are my daily retreat.  Just as I slip into the garden, 

the garden slips into my quilts."

What a lovely thought, I wish we were closer to spring. 

Ellen's work has changed some since her first book, Thread Magic. At least for this new book, her focus is on her garden and the creatures that live there.  Her new quilts are small jewels, each one better than the next.

Snail's Pace, quilt by Ellen Anne Eddy

She is still blending sheer fabrics with her dramatic hand dyed fabrics; and has added commercial lace, trims and loose fibers.  She explains in rich detail how she accomplishes each look.  Ellen includes:

• tips
• dos-and-don'ts
• types of stitches
• color theory
• blending threads and colors
• composition
• creating a visual path
• shading
• angled stitching
• and the list goes on. 

Her approach is very thorough and understandable for anyone wanting to try her free-motion techniques.

Whether you are interested in thread work or not, this book is a visual delight. CandT's book designer did a great job of including large detail shots throughout the book. It makes me drool!

Book details:  full color, 111 pages, 8.5 x 11 inches, $28.95, available as an eBook from CandT Publishers.  The book is now available in quilt shops, from CandT, and from Ellen's website.

Cover of Ellen's new book

Support your local quilt artist.  Ask your local quilt shop to carry the book.  It will soon become a "must have" for everyone interested in thread work.

Ann Fahl, an envious thread artist!

To Bind or not to Bind.......

That is the question...............................................................

I've just finished quilting my crazy collage piece.  It has been blocked and trimmed so it is a perfect rectangle.  During the quilting phase, I've just not been sure how I wanted to handle the outside edges.

Here is the collage, quilting complete, edges trimmed, ready for finishing.

So it is time to make the big decision.  Sometimes I want to have a contrasting trim on the outside edges. Lately, I've been more tempted to face the edges of some quilts, to avoid having to sew the binding on the edges.  Sometimes I think it is distracting.  So what do I do in this case?  What do you think?
Bind or face?

Here is the trimmed quilt with 3 choices of bias laid on the outside edge.

• Choice 1 is the black fabric with blue, turquoise and green subtle striping
• Choice 2 is a charcoal gray print with light gray and red accents
• Choice 3 is a stripe which includes most of the colors of the little pieces within
• Choice 4 is facing the outside edges so there is just a clean edge

I think I've made my choice, but let me know what you prefer and why.

The Beading Begins

Closed toe generic darning foot that Ann prefers for quilting around beads

Now that the embroidery is complete on the collage, I've started the beading. Unlike Lyric, I bead then quilt with a clear generic closed toe darning foot.  This system works well for me. In a much earlier post I discussed the pros and cons of darning feet.

The spot on the collage I chose first was the little wavy red line on the right hand side of the quilt. Check previous post for photos of this collage "Playing with Fabric." I ran a line of short stacks of seed beads.  I chose a size 6 yellow bead for the base and an iridescent red size 11 bead for the top.  This created an interesting line through the center.  Before viewing Lyric's dvd I would have just stitched a single line of seed beads down the middle and that would be it. So I've learned something new that is lots of fun. I love the combination of the two colors, it would be fun with 3 colors too!

Next I couldn't wait to put single bead stacks on the ends of the spiral eyelashes on the lower left corner. I chose the same size 6 red bead for the base and a size 11 black bead for the top.  This adds a nice little touch to the ends.  Although it doesn't show in this photo, the spiral is appliqued with a rusty red metallic thread and the eyelashes are covered with a red metallic size 40 thread.

Next, I decided to change colors and bead the inside of the large lime green leaf at the center top.  I tightly clustered some iridescent seed beads in the center. The leaf was hand painted and left over from my quilt titled Summer Sanctuary. The edges of the pink center already had a little free-motion stitching in a variegated pink thread.

Who knows what is next?

Ann Fahl

Can't Sew with Metallic Thread? Yes you can!

Egyptian Poppies 15 x 16 inches

So many of us have problems sewing with metallic threads.  A few years ago I figured this would be the perfect topic for a new workshop, but how could I teach others when I wasn't able to successfully quilt this small sample? I was trying to quilt the background of Egyptian Poppies with green metallic thread, and it would break every few minutes. Nothing seemed to work. Frustrating......  So I worked and worked with the thread on different fabrics etc.  I took notes right on the fabric; set the timer to see if I could sew continuously for 10 minutes before the thread broke.

One of many test samples of quilting with metallic thread

I worked with three different people in the US regarding my issues.  At last my problems were solved! I designed a new workshop, and decided that a booklet on the same subject would be helpful to even more people out there.  So almost 2 years in the works, Mastering Metallics has been born. Jayne Steffens was my proofreader, she did a great job helping me clarify a few problem areas, and made the booklet easier to read.  Sally Miller, the book designer for A Black and White Tale helped me to create the cover with a great photo I took in my studio. I am grateful to both of them for their help.

The cover of Ann's newest booklet

Whatever the issues you might be having, I offer a solution. Now, you may not like my solution, but I offer one anyhow.  Some days sewing with metallics everything goes smoothly, and then there are the other days. The 28 page booklet is divided up into types of problems and their solutions as well as by sewing processes: machine applique, machine embroidery and quilting.  The pages are packed with tips, ideas, photos and charts to help you. Some of the areas are:

• tension settings
• thread position
• fabric choices
• needle size
• needle type
• thread quality
• types of metallic thread etc.

If you are interested in purchasing a copy, please check my website for more information.

These threads will always be more challenging than others; but with a little knowledge we can work with them more successfully.  It isn't always your sewing machine!  It is the settings you have on your machine and the fabrics you have chosen which are the largest areas of problems.

Whoever and wherever you are, I wish you luck with sewing with metallic threads. If you have more problems, we can have a discussion right here on the blog.

As the days go by, I will continue to post pictures of my metallic threads and beading of my collage that I discussed in an earlier post.

Ann Fahl

Playing with Fabrics

Last week, I had some free time. I've had the feeling that I haven't played in my studio in a long time.  I've been doing lots of writing, but not really any quilting.  Hmmmm, what am I avoiding?  Lyric's Bead DVD  arrived and I found it quite inspiring, so I decided to make a collage to both bead and embroider.

Collage, pinned and un-fused, it needs squaring up too

 There are two little drawers full of fused scraps in my studio. To begin I created a pieced background with 5 irregular strips of dark fabrics.  From my stash I pulled out a gray, dark print, blue, red and green fabrics of a similar dark value, pieced them together.  This is not an attractive background but it is interesting.

Next I pulled out all those little fused scraps of this and that.  All saved from earlier projects because they were too valuable to throw out! So here is what I have so far.  It's fun, but perhaps a monstrosity!  We'll see.  Mostly it is a learning and confidence building exercise.

Completed collage, fused and embroidery has been started

There are images in this thing, from quilts that have not yet been finished, and pieces that are as old as the hills!

Appliqued spiral from lower left corner, appliqued with red metallic thread and a programmed stitch

I have no idea where this spiral was from, but I have a bunch of them in warm colors. I am doing as much as the embroidery as I can with metallic threads.  If you look at the right hand column of this blog, you will see my newest booklet pictured:  Mastering Metallics.  So I'm using all the tips and ideas I've discovered in the last year or more, working on that project. My next blog will be all about that booklet.

Rhonda's Ginkgo, embroidered with variegated gold thread, but not trimmed up

There is a large hand painted ginkgo fused in the center right area of the collage.  Maybe 5 years ago my neighbor Rhonda, gave me a ginkgo leaf this size that she found when she was at the library.  I cut this hand painted fabric leaf out immediately, but it never found a home, so here it is.  This is why these collages are so much fun.

Off and on, as I make progress on the metallic thread and the beading, I'll show you what I've done. You can see the endless possibilities for bead-work and threads.  We'll see what evolves.  It'll be fun.

Have any of you been to see my show at the La Conner quilt museum?  If you have, please let me know what you think.  I haven't had any feedback yet, and I'm dying to know what it looks like!

Ann Fahl