Announcing Applique Ann's Way!

Ann's newest booklet, April 2013

At last the booklet on 6 ways to applique has become a reality.  It is based on my full day workshop, but there was never enough time to cover 6 methods during the class.  So I've put them all together in one booklet, 36 pages with a color cover. I began writing it this past summer, and last month it went to the proof reader, my friend Jayne, because she is great at making my directions simpler and clearer.

Oreo is helping to send out the first promotional copies.

 I cover both traditional and untraditional machine methods, so whether you are a beginner or experienced, you will find something helpful here. If you follow this blog, you know I love thread work of all types, applique is just one method of embellishing fused shapes on a quilt top.  I can never restrict myself to just one technique in a quilt, I really like to mix up embroidery and applique.  This booklet only includes applique methods and I've tried to discuss each one in depth, including tips, refinements and problem solving.

Closeup of Summer Sanctuary, quilt by Ann Fahl

The quilt that started it all was Summer Sanctuary. Check out the coleus leaves, they are made with the Florentine Edge Applique technique discussed in the booklet. This will later be the subject of an article for the American Quilter Magazine next fall.

Read more about this booklet on my website.

Give applique a try.

Barb Harms has posted a review. 
A  Bit of Yellow has posted a review.

Ann Fahl

Needle UP? Needle DOWN?

That is the question.  Having a needle up/down option on your sewing machine makes the job of sewing so much easier.   Once you have the needle up/down option, you can never have a machine without it!

This is the needle up/down on my machine.

When I'm quilting on a piece, if I stop the machine to rest for a moment, the fabric or project can't shift on me if it is set for needle down. Then when I start sewing again, I carefully begin stitching slowly, working up gradually to my regular speed.  If well done, the starts and stops shouldn't show!

When quilting, I like to set the machine for needle down.

When doing free-motion embroidery, I guess it really doesn't matter whether the needle stops in the up or the down position. The starts and stops aren't as visible.

Piecing, is nice when the needle stays up. After each seam is finished, the needle is up and the pieces may be easily removed from the needle area and threads clipped. When I attach bias binding, I like the needle down.

If the project is applique I usually choose to have needle down. If I have to pivot at corners, or have smooth curves, it's nice to have it set down.

Especially when pivoting is necessary at corners, I like the needle to stop down

If you are sewing on a new machine, take the time to notice which way your prefer to set your machine for different tasks.  Then when you begin sewing for the day, set your needle position accordingly.

Caution:  I'd like to leave you with one caution on this subject. Never leave the needle in the fabric or project for long periods of time.  If you are finished sewing for the day, make sure the needle is up.  Should the fabric get pulled away from the machine it won't tear or rip your project.

Hockey project update:  I'm spending time each day doing the embroidery and applique on my Hockey Garden quilt. I still need a good suggestion for a title!  Any ideas?

Ann Fahl  

The Hockey Applique Begins part 5

Well, I'm not sure if the thread work will be fun or not; it was really fun to design.  I think I may have created a monster with never ending applique and embroidery, in just about every color thread in the rainbow.  So where does one begin, when there are thousands of little pieces to be stitched?

Pick something easy to begin, it is important to get started. In the early stages of a project, sometimes the job appears to be overwhelming--like this one. After I have dealt with the initial hesitation, then I basically work from what appears to be on the bottom layer and work up to the top. This is because the ends of my starts and stops will be covered by another line of stitching on a segment that appears to be on top of it, and this secures any loose threads that need to be controlled. This bottom to top guideline, is the general rule, but of course I break it all the time! If I have blue thread in the machine, I'm not going to hop over and applique a red flower; I'm going to find something else blue to sew before I change my thread color again.

This is the back corner of the hockey bag. I've chosen to use a decorative stitch in variegated blue thread.

So I'm going to applique the hockey bag first with a beautiful blue variegated thread using some of the programmed stitches that my machine offers. The hockey bag is my starting point because it is underneath all the other objects in the picture.  I have chosen my favorite programmed stitch, and I use shiny thread with crisp tear-away stabilizer underneath. [This process will be covered in depth in my new booklet, Applique Ann's Way.]

Here is a sneak peek at the cover of my new booklet! Available in April.

Next I'll embroider the hockey sticks, covering them with thread.  This will be faster than appliqueing them and it will give them a wood grain look. Embroidery is done with a hoop, no stabilizer, and I move the hoop from side to side to completely cover the object. For detailed info see my book Coloring with Thread. 

A closeup of the embroidery with variegated beige thread, that gives a wood grain effect on the hockey stick.

 Now I realize the finely cut dandelions are curling up and starting to fray, so I'll embroider them next or they may just disappear. 

Dandelion detail in the lower left corner.  These too are embroidered.

So the applique and embroidery has just begun.  This is going to take me some time at the machine. Eventually this blog thread will be continued.  I have hours of decorative stitching ahead of me.

Ann Fahl

Quilting Fresh Salsa part 2

Darning feet for Janome, the center metal foot is adjustable.

One of the monumental challenges I faced is what happens when the machine gets to an area where many seams cross. The foot would get caught on the "lump" and not move.  Then when I tried to force it I'd get a few huge stitches, which didn't look very good.

My goal is to create as even a stitch as possible. It stumped me for a little bit, and I realized why many quilters send their tops out to be quilted! Then I remembered that I could adjust my darning foot. (See image above, the center metal foot.)  All I had to do was spin the little wheel above the needle bar until the foot was high enough to just skim over the lumps.  It took awhile, but I found the correct level. For a complete blog on darning feet check out my earlier blog. For Bernina owners, Diane Gaudynski has a method to alter their darning feet check out her blog to read about this.

Altering the darning foot. If you have the above, clear style darning foot, many people find that it drags above the throat plate, even if the pressure on the foot has been reduced to zero.  This isn't a manufactured recommended procedure but it works:

• Remove the foot from the machine and slightly bend the little bar down (area shown below the arrow).
• To do this, turn the foot upside down, and firmly press the bar onto the edge of a table or something substantial to do the bending. Bend it just a little.  You will feel it "give."
• Do be careful, as you can damage the surface of the table when doing this. Your are responsible, not me.
• Re-attach the foot on the machine, if it is still dragging, remove and bend it a little bit more.

So much for darning feet, let's get back to the quilting.  I completed the center quilting by continually consulting my plan as shown in blog "Machine Quilting Fresh Salsa." This wasn't the fastest quilting job I've ever done, but I followed the map and finally reached  my destination.

Now it's time to quilt the border. How in the world am I going to quilt it?

Ann Fahl

Free-Motion Quilt Challenge

Ann Fahl, machine quilting her Coneflower Fiesta quilt! Join her in March for the FM Quilting Challenge.

A 12 month free-motion quilt challenge that has just begun.  There is a black and white icon at the very bottom of this blog, when you click on it, you will find an explanation and a place to sign up for this no-fee class.

I will be providing the tutorial for the month of March!  And, I will  follow the famous Diane Gaudynski who will be featured in February.  If you have always wanted to improve your machine quilting, this is your chance.

• 12 months
• 12 instructors

Check it out.

Ann Fahl

Quilting with Metallic Threads Goes International!

It has been a few days since I announced my new booklet on metallic threads. This has been amazing. I now have sent booklets to three different countries, Finland, Germany and South Africa.  It seems that quilters everywhere have problems with metallic threads. This has really energized me and challenged me to do more quilting with metallics.

Diane Gaudynski has been playing with metallics too, check out her blog. She has written an extensive blog about choice of fabrics and how it plays such a huge part in the success with quilting with any decorative thread!

My quilting isn't anything like Diane's but I have just finished a sample quilting with gold sliver thread on some hand dyed fabric.  Hand dyes have caused great challenges in the past. You won't like the fabric I chose, but its the only fabric I am willing to use up for samples.  I chose the color gold so you can more easily see the stitching. I've had to pull it out from under the cat, Oreo to take a picture so you can see it.  So here it is, in all its beauty:

Quilting with wool batting, hand dyed fabric top and backing

The thread didn't break once!  Here is what I did:

• The "Sliver"spool was sitting vertically on the machine
• The Bottom Line in the bobbin
• 14/90 topstitch needle
• top tension set on 2.5
• Take some time testing the tension setting on a sample swatch before you begin on a project

Now I'm thinking about places I can use a little bit of this wonderful shiny flat thread in quilts that are already finished!  Who knows.

Please let me know how you have found success with metallics. Or any tips you may have to share. Good luck to all of you that want to play with metallics.

Ann Fahl