The Quilting: Garden of the Sun God

By now, you may all hope I am done talking about this quilt. To an artist, the piece they have just finished is always the best work they have ever done.  In time, this may change, as it's success or lack of changes my opinion of the work! But for now, it is one of my best.

Detail of quilting at the base of papyrus

Now the quilting has begun. This is the most exciting for me, because all the time and effort I have put into the fabric selection and embroidery pays off. First, I detail all the pieces using monofilament thread in the top and bobbin. Don't cringe.  I have been doing this since the 1980's and it has been successful for me. When monofilament thread is used in the correct way, it will be your best friend. Outlining and stitching in the ditch are two of the best uses no one will ever see it!

Quilting detail of the pond

Next I pull out all my decorative threads and quilt all the empty or negative spaces.  This is what I'm doing when I feel that I am dancing on the quilt. The texture in the quilting brings the subjects to life. This has become an intuitive process for me, because I have been a machine quilter since 1988. This is why I wrote a book on machine quilting--my variety of course.  It is spontaneous, unstructured and informal.  There is too much stippling and feather making on quilts today, and that doesn't work for me. So I wrote Dancing with Thread so others might feel free to experiment with my ideas and techniques.

Quilting detail on the fish and border

I love quilting little scales on fish.  Using a pastel variegated thread, I detail the face and fins first, then use a little clamshell stitch to create the scales.  Without doing lots of detailed fusing, I just use a hand painted fabric, quilt it up, and it becomes a rather life like fish.

Once the quilting on the interior of the quilt is complete, I work on the outer border. After some looking in my notebook of quilting ideas, and looking at earlier quilts I decided to use half a coneflower on the inside edge. They are evenly spaced out along the seam. I used a silver or a white pencil to mark the outlines of each one. The flower has a spiral in the center, and there is random stitching filling the rest of the border. A bright red variegated thread #832 Rainbow, worked beautifully on the various reds in the pieced border.

Allow me to express an opinion here. One of the sad things I am finding in the quilt world is that more and more people are handing over their quilt tops to someone else to quilt.  By doing this, the quilt is no longer the work of one artist! And.....they are missing the most satisfying part of the quilt making process.  LEARN TO QUILT SO YOU CAN COMPLETE YOUR OWN QUILTS.  It's more fun!

Ann Fahl

All those Handmade Gifts!

Here are the 10 tiny notebooks I made for gifts this year.

So, here they are:  I made little notebooks for saving passwords and little treasured thoughts.  I pieced many little sections of things I had left-over from early patchwork projects. Then I used many programmed stitches with a layer of tear away stabilizer underneath for a decorative touch. I put the stitching on the seamlines, in-between, and drew lines to follow with silver pencil.

This green one turned out very well, despite the fact that the strips are on the bias!

After the stitching was complete, I made little book covers out of them. The base notebook I used was small in size; 4.5 x 3.25 inches, narrow ruled, from Office Depot.  They are packaged in packs of 4 and priced reasonably. I folded in the two ends of the book covers, stitched them in place, finished the top and bottom edge, and stuck the little notebook inside. The stuffing part was as much fun as stuffing a big pillow form into a small pillow case.  But it gets done.  It's a one of a kind notebook that the recipient may keep for life! Put a little note inside and sign it.

It makes a neat gift. I hope you have a great holiday.

Ann Fahl