Is Spring in the Air?

Spring in Wisconsin always arrives several months late.  About June 1st is about the time we can plant annuals in our gardens with safety from frost.

Today it's 50 degrees and sunny, so it's time to start crossing stuff off my gardening and bird care list.  I found the ladder, took down the 2 bird houses that I have, emptied them out, and scrubbed them with soap and water.  Each one had several families hatched last year and wow, they were stuffed with sticks and feathers!

My daffodils are showing their little green tips, so it'll be a month until their flowers open up. This is such an exciting time of year.

Tea and Daffodils, quilt by Ann Fahl  22 x 22 inches

The above is my all time favorite April quilt.  I can hardly wait until the daffodils begin to bloom. I have probably a thousand in my yard and last fall we added more bulbs to the main entrance of the Mount Pleasant Village Hall. I hope they look gorgeous and are welcoming to the citizens of our village.

Whenever your spring arrives, I hope you have a lovely one.

Ann Fahl

Working on the Pond

The ducks, cattails and water lilies were all floating on the pond in my last blog. I was happy with its appearance.

I fused everything in place, while still pinned to my design wall covered with white flannel.  Then decided, I needed a little more green to spill out into the border.  So I added two leaves in the lower right corner, you'll see that they are still pinned in place.

This last addition will be fused and the composition will be complete.

I've been thinking about a title for this quilt, and so far nothing great has come to mind.  Then it came to me:  On Ginkgo Pond.  The ducks will be Ethel and Norman, the main characters from the movie On Golden Pond.  I loved that movie. 

If I complete my thread work well, Ethel and her buddy should float around in their beautiful pond forever.  Now what should I quilt, embroider or applique?  After I have spent my entire career writing and teaching machine embroidery and quilting, I am over saturated with heavy thread work. I'm going to leave more open spaces so there will be texture changes across the surface of the finished quilt.

Ann's opinion:  I just visited a small show of art quilts, and we are over stitching everything.  Why?  I guess because we can; and historically the judges have always awarded more prizes to those quilts that are heavily quilted.  From my point of view, we're not allowing the batting to add dimension to the surface because everything is quilted too closely. Or maybe I'm just tired and grouchy!

Next time I'll show you some closeups of the thread work.

Ann Fahl

Ginkgo Leaves, the Symbol of my Quilting Spirit

Winona Lake Commemorative,  quilt by Ann Fahl  22 x 18 inches

I'm still working on my red and green tulip quilt, only one block remains to be re-appliqued. As I've been finishing this huge project,  I've been thinking about what I should blog about next.  One of my favorite images is that of a ginkgo leaf, perhaps one of the most beautiful in nature.

Leaves and trees are very special in my life.  My grandmother planted a maple tree at the cottage, about the time I was born, this tree and I have grown up together, I won't tell you how big the tree is today!  My husband and I live in the woods and we enjoy all the wonderful benefits of living among the trees.  One of my favorite spots in the word is the swan pond at Winona Lake IN.

A view of the swan pond at Winona Lake

A young man once pointed out to me, the 2 huge old ginkgo trees on one side of that swan pond. I was amazed at the lovely shape of the leaves as I had never seen them before.  I took some leaves home that were lying on the ground; and the rest is history.  I've tried to use a ginkgo leaf in as many quilts as possible.  Without realizing it, I had chosen the shape as one of my personal symbols of my life.

Class sample of embroidered leaves

It didn't take long for me to realize that adding free-motion embroidery to a fused leaf, made it come to life in such a beautiful realistic way.  So I'll be writing about ginkgoes for awhile.

Right now, I am completing the quilting on a small ginkgo leaf piece.  It's too early to show it to you, but stick with me, I'll be talking more about ginkgoes, embroidery, design and quilting.  It feels good to be back talking to you. 

I feel like I'm writing in a vacuum. Please take the time to comment on my blogs, its the only way I know you've come to visit.

Ann Fahl

TheQuiltShow.com Special Event

Ann, Alex Andersen, Ricky Tims on the day of the filming of Ann's episode.

International Quilt Day is just around the corner, and as a featured artist on a past episode of The Quilt Show, I wanted to let you know about a gift that Alex and Ricky have put together for quilters around the world.  

Beginning on Friday, March 15 through Sunday, March 17, everyone who signs on to The Quilt Show will have free access to over 140 of their internet shows, including my episode #111.  You can watch the shows, check out the tutorials, browse the gallery of over 19,900 member quilts, visit the forum for answers to the most burning quilt questions and lots, lots more. And if you missed my show, you can see it now. Filming this show before an audience was a very exciting experience!

There are prizes and all kinds of things happening that weekend for no charge.

So check in at www.thequiltshow.com on Friday, March 15, and enjoy the shows and exploring The Quilt Show website and all it has to offer!  And I’d love to have you view my show, episode #111.  All of my Oreo quilts will be there!

Ann Fahl

Crisis in Orange

Here we are, Christmas is almost here. Everything should be red and green and sparkly.  So what's the problem?

You know I love the color orange.  It used to be my least loved color, but today it has become part of my repertoire. When I look back at my childhood, how could I have left that orange crayon in the box unused? Below, you will find an anatomically correct, Oreo, walking under some giant coneflowers on a warm background. Actually this was made of leftovers, but it is a really successful quilt.

Under the Giant Coneflowers, (c) quilt by Ann Fahl

Years back, before "Under" was created, the members of the quilt/art list helped me extend my selection of orange fabrics by sending me orange squares to create this colorful piece. I was hoping for 100 squares, but I actually received more than 300.  Wow, That's Orange is one of my top 10 favorite quilts in my career. There is more of the story on my website.

Wow that's Orange, (c) quilt by Ann Fahl

So what's the problem?  I'm wearing an orange top and jacket today; and I needed to wear my only pair of orange socks; my friend Sally gave them to me a few years ago. When I put them on, I realized there were holes in each heel, but I wore them anyhow! It's about time for these socks to go, sooooo sad, because I love them.  I guess I know what I'll put on my list for Santa!

Ann's favorite orange socks

 It is a sad day, but I will recover!

Merry Orange Holidays to everyone.
Ann Fahl

The Cat Hair Returns

Do you remember the first quilt show you ever attended? Or, the first show you ever entered?

My very first quilt was a blue sampler that I made for my mother. It was a large one, full sized and hand quilted. I entered it in the state historical society show, and won an honorable mention in 1979.  It was really exciting to get a ribbon on my first quilt.

Ann's very first quilt completed in 1978

At the time, I knew nothing about quilt shows, I'd never even been to one!  But the judge made a comment on the back of the ribbon that said, "Pet hair is distracting."

After that comment I thought to myself, "I guess I'll have to watch that when I enter another quilt in the show!" That was something I never even considered doing.

Eventually, when I had more of a studio to work in, there is a procedure that I follow. I always clean off my cutting table first, lay out the quilt, and go over it with a lint roller front and back.  This has always seemed to work.  I always mention that first judge's comments in all my lectures with good humor; in the hopes that it might convince others to check over a quilt carefully before going to a show, or be given as a gift.

Every time a quilt comes home after a show, I open up the box and admire it, and hang it up in my living room. Nine out of ten times my quilt will come back with little threads on it, that were probably from someone else's quilt!  How do I know that?  It's because the threads are always the wrong colors for the fabrics I used. Many times I wonder what famous persons' quilt they came from.  Had they touched?  Did they get to be friends?  Where do all these threads come from?  Do other people find them on their returned quilts too? This is truly one of life's mysteries.

Garden of the Sun God, (c) 2012 Ann Fahl

Late November, my beautiful Garden of the Sun God quilt came back from the IQA show in Houston. It looked beautiful when I opened it up. After finding the judges comment sheets, I sat down to look them over carefully.  (This can be either a very trying experience or a pleasant one.) Their comments were OK this time, but one of the judges took the time to write at the bottom, that I should use a lint brush to remove the pet hairs from the dark areas of my quilt!!! I had to laugh. Like other pet owners, I make an attempt to limit the cat hair in the house, but there is only so much I can do. I looked over the quilt, and I didn't see any Oreo hairs, but perhaps I have selective vision.

Here is Oreo helping to fold up a quilt.  Could this be the problem?

So I have come full circle in my quilting life.  The first quilt I ever entered in a show had cat hair on it; and the best one I've made to date--also had cat hair on it. And, probably the hundreds of quilts I have made in between also had cat hair on them. What can I say?  I do my best.

I hope this brought a smile to your day.
Ann Fahl

Fresh Salsa's Finale with Summary

The Border

We're at the end of the project. It's time to quilt the border. Again I have returned to that plan I drew up before all the quilting began. 

Ann's quilting plan for Fresh Salsa

 I doodled lots of things on the page but here's what I did for the border it is done in two parts.

Part one of the border.

I marked a curvy line in the border, dividing it roughly in half; with a silver pencil.  I danced (quilted) this area with leaves, spirals hearts and spirals. Then I went around the outside with some curvy lines that intersect the outside edge. This will make a nice flat edge when I block the piece and trim the edges.

Finished border.

The Binding

I found 4 different fabrics that might work for the binding.  It's always exciting to get to this point, because I know the quilt is almost done.  Put some careful thought into your fabric choice, because this is like a frame on a painting. Think of it as the sparkle on the edge. When you look at your top, do you want a contrasting edge or a subtle edge?  For me, it depends on the quilt and my mood at the time.  For more info on bias binding, may I recommend my booklet on binding.  You may think differently about it after reading the 28 pages that I've written. 

Here are the fabrics I though might work for the binding.

So which fabric won?  I thought it would be the green check on the left! The red/pink/yellow multi was too busy.The green/blue/red stripe was a decorator chintz looked great. I went out and purchased the small stripe on the right.  It had a sense of humor and pulled out all the colors in the top, but when placed on the quilt itself it was more pastel than I wanted.  So the winner is........the green decorator chintz.

Fresh Salsa, ©2012, finished and bound, 50 x 50 inches

Review:  hints for successfully quilting a pieced quilt top

• Always make a sample of machine stitching every time you have re-threaded the machine or changed something.
• Use the correct needle.  I prefer a topstitch needle.
• Find the darning foot that works best for you. You need good visibility and it must ride high enough to clear the thick areas where the seams meet.
• Reduce pressure adjustment on the pressure foot, check owner's manual for it's location.  I reduce the pressure to 0 on my machine.
• Darning feet do wear out.  If it squeaks you might lubricate the foot with a dot of sewers aid. With a small brush, remove excess lint which may be clogging the spring. If you've used the foot for a long time, it may be time to get a new one.
• Adjust the darning foot so it rides higher by using the wheel on the attachment, by bending the thin bar on top, or using Diane's method of adding an "0" ring to raise it up.
• Wear quilter's gloves to give good control of the quilt under the darning foot. 
• A SewSlip creates a smooth slippery surface for easy movement of the quilt on the bed of the machine. If you haven't tried one, they are worth the price.

Happy piecing and quilting

 Ann Fahl 

Quilting Fresh Salsa part 2

Darning feet for Janome, the center metal foot is adjustable.

One of the monumental challenges I faced is what happens when the machine gets to an area where many seams cross. The foot would get caught on the "lump" and not move.  Then when I tried to force it I'd get a few huge stitches, which didn't look very good.

My goal is to create as even a stitch as possible. It stumped me for a little bit, and I realized why many quilters send their tops out to be quilted! Then I remembered that I could adjust my darning foot. (See image above, the center metal foot.)  All I had to do was spin the little wheel above the needle bar until the foot was high enough to just skim over the lumps.  It took awhile, but I found the correct level. For a complete blog on darning feet check out my earlier blog. For Bernina owners, Diane Gaudynski has a method to alter their darning feet check out her blog to read about this.

Altering the darning foot. If you have the above, clear style darning foot, many people find that it drags above the throat plate, even if the pressure on the foot has been reduced to zero.  This isn't a manufactured recommended procedure but it works:

• Remove the foot from the machine and slightly bend the little bar down (area shown below the arrow).
• To do this, turn the foot upside down, and firmly press the bar onto the edge of a table or something substantial to do the bending. Bend it just a little.  You will feel it "give."
• Do be careful, as you can damage the surface of the table when doing this. Your are responsible, not me.
• Re-attach the foot on the machine, if it is still dragging, remove and bend it a little bit more.

So much for darning feet, let's get back to the quilting.  I completed the center quilting by continually consulting my plan as shown in blog "Machine Quilting Fresh Salsa." This wasn't the fastest quilting job I've ever done, but I followed the map and finally reached  my destination.

Now it's time to quilt the border. How in the world am I going to quilt it?

Ann Fahl

Variegated Thread with Fresh Salsa?

My three choices for thread in the red areas of the quilt Fresh Salsa.

You may think that selecting thread for a quilting project is a small thing, but it's more important than you think.  It pays off when you make the right selection. So now I've got this top that is a cacophony of red, green and yellow, what thread should I choose?

One of my issues with sending your top out to someone else to quilt is that you usually get one color of thread for the quilting. This would make my quilts so boring! Mattress pads are quilted with white thread, how exciting is that? I choose to use multiple threads, usually depending on the color of the fabric where it will be used. No mattress pads for me.

Learn to machine quilt so you can finish your quilt in the manner you choose!  You can do it!

Auditioning the thread. This is shown using white paper just for illustration. It should actually be done on the fabric of your choice.

 Back to Choosing Thread:

• Pull out all the colors you think might work.
• Audition them by unreeling about 36 inches of thread and letting it puddle on the project.
• Give each thread a rating:  yes, no, maybe.
• Give a second look to the yes and maybe threads, I throw the ones I like best into a basket or bowl, so they are accessible when the quilting begins.
• If unsure whether to use thread A or B, sew up a little sample of both; hold each sample up to the quilt top, and this should help you make your decision.
• There is nothing worse than having to rip out lots of machine quilting, after you figure out, you should have used another thread! I have lots of personal experience in this area.

Solid color or Variegated? This is a personal question. Most of the time I prefer to use variegated threads when I quilt. It makes the stitching more exciting on solid color or mottled fabrics. But if you are using prints a solid color thread may be a better choice.  Audition both types of threads to see which you like best.

Contrasting or Matching thread?  Here are some tips I have learned over the years.

• Matching thread will be less visible, and will hide irregularities in the quilting.
• Contrasting thread will really accent the quilting, look great from a distance, but will show everything little booboo.
• A slightly richer color will subtly enhance the quilting without being too distracting.
• Lighter threads on deep fabric will usually look good.
• Dark threads on light fabric are very challenging, all the mistakes will show.
• The choices are up to you.

Rainbow variegated threads, # 851, 814, 844 from Superior Threads

I have chosen three threads to use on my quilt, most are subtle contrasts with the rich colors in the quilt top. The yellow will look great on the small yellow areas of the quilt, because it mixes several yellow tones there will be subtle contrasts and matching colors here. The red thread includes red, purple, and gold, this makes the red areas more exciting. The darker rainbow thread looks great on all dark fabrics and will make the green areas richer on this quilt top.

The quilting will begin next.

Ann Fahl

Machine Quilting Fresh Salsa!

It has been awhile since I've done any machine quilting. When this happens a person becomes a little rusty, so I've decided to quilt an old top that has been lying around my studio for about 10 years. This project should get me back in the swing of things.

Fresh Salsa, top only, © by Ann Fahl 51.5 x 51.5 inches

A long time ago this quilt was to be an entry for the special Viking showcase gallery at the IQA show in Houston. To qualify, it needed to be 51 x 51 inches. My sons suggested that I make a quilt about salsa.  I love good fresh chopped tomatoes and pepper as salsa, I could eat gallons of it. Selecting half square triangles in red, green and yellow, I arranged a centrally oriented design, then overlaid a drawing of a tomato cut in half, lined up red iridescent bugle beads on the pencil lines, sewed them all on using NYMO thread, folded the top up and tucked it away in my closet!  I'm sorry, but I never took a photo of the beaded top. You'll just have to believe me that the beads really didn't enhance the over all look of the top.

The red bugle beads that I removed from the quilt top.

Years later, I pulled it out, hung up the beaded top in my studio and decided that the superimposed beaded design didn't enhance the central idea of the quilt, and removed the thousands of beads. Several weeks ago, I got the top out of the closet again; pressed it, blocked it, and pin basted it together. Now I'm machine quilting it.

This is the first time, I have ever quilted a pieced top. Just a pieced top, no beads, embroidery or applique over the surface. For me, this presented a big new challenge. I've thought and thought about how I would quilt it. So I flipped through my recent book on machine quilting, and came up with a plan.

I took a photo of the quilt, and printed 3 copies on 8.5 x 11 paper. I spent an evening doodling on the photo with a black gel pen, and came up with some very specific ideas on how to quilt each defined little area.

Doodling on a paper photo of a quilt, helps me decide what would look best as a quilting design.

Most of the ideas I used, just as is, others have been changed to some extent. Now I'm getting excited, it was time to begin the real quilting.  It has been a long time since I've quilted anything!  But before I can begin I have to select the thread.

We'll talk about thread and quilting next time.  It feels good to be working.

Ann Fahl

Quilt Judge on a Soap Box

Not too long ago, I was one of a panel of judges for a lovely quilt show, in a modest sized midwestern town.  Some of the work was outstanding; there was quite a bit of hand applique, a few hand quilted pieces, some amazing pieced work, a few were absolutely masterfully made, yet there were only 5 entries that were original designs!

Pardon me while I pull out my soap box one more time after a quilt exhibit.......... What has happened to us as quilters? Quilting has enjoyed a great resurgence of interest since about 1976--the bicentennial year. Have we still not learned enough about our art/craft to create more original work? Perhaps quilting has become more of a money making business rather than an art.  There are businesses creating books and patterns, tv shows, tool manufacturers, big exhibitions and contests, there are websites and workshops to teach new ideas,  and the list goes on and on........

We can cut out all the pieces for a quilt by cranking a machine, we don't need scissors and rotary cutters. We can sit at a sewing machine, and let it do the stitching for us.  If we create a top, we send it out to be quilted. Somewhere we have lost the joy and satisfaction of creating our own work.  I think you get the idea.

Everyone is trying to sell something!

Each time I finish a quilt, whether large or small, I feel a great sense of satisfaction in creating something that is truly my own. The process of making a quilt is similar to a treasure hunt. I begin with a small idea, and I keep working on a design wall, until pleased with its composition and appearance.  Yes, it takes time to create something that is your own. Most of the time I never know what the final project will look like until it's done.  Why use a pattern, you already know what the finished product will look like?  Where is the surprise?

Ann almost feels like a queen when she finishes a new project, she feels so proud.

Yes, we all have different talents and skills.  Let me challenge all of my readers to try to add something original to each project you begin.  You may be surprised to find you have the skills to create more than you think. You will become more confident in yourself.  Sometimes this path will put some obstacles in your way, it isn't always easy. Remember that the quilting community is one of the most helpful and supportive group of people in the world.  Ask for assistance and you will find many suggestions and possible solutions. After a few projects your skill and idea bank will grow.

Please give this a try. As a community we need to rediscover our creativity.  It's in there, we just need to let it grow.

Ann Fahl

House Cleaning and Cat Hair

Most of you have heard about the book I published almost 2 years ago:  A Black and White Tale.  I am still proud of this book and all the effort it took to produce it. The book about Oreo has had a nice run, I find I only have a few cartons left in my closet.

The holidays will soon be upon us, so I have reduced the price from 17.95 to 14.95. Publication costs were higher than I had hoped so it has been priced higher than my $15 target.  Now that the quantities remaining are getting low, I'd like to clear out the closet and make room for new work.

This is a great book for anyone interested in my work. If you know someone that loves quilts or cats, this is a lovely gift for them.  Buy one for yourself. Order two, and I'll pay the postage.

My heart and soul went in to writing this book. Help me find good homes for the remaining copies!  You can read more on my website.

Garden of the Sun God--The End

The last challenge is to find the right fabric for the binding. At first I thought perhaps it would work best to piece a variety of red fabrics together. But then I realized there was a lot of stuff going on in the border already, perhaps one or two fabrics cut on the bias would be a better solution.

It's wonderful when I go digging in my stash and can find a number of possible fabrics for the binding. I chose a red batik with lights, mediums and darks marbled through it.  Perfect. Always cut binding on the bias, the corners will turn flatter, and the long sides will lay flatter. For a thorough discussion on binding your quilt see my booklet on bias binding.

Announcing the completed quilt, Garden of the Sun God, by Ann Fahl, this quilt is now included in my Ancient Artisans gallery on my website.

The completed quilt, Garden of the Sun God, 52.5 x 63 by Ann Fahl © 2012

Ann