How Do You Quilt a Hockey Bag? part 6

The time has come to begin all the detailed quilting of my hockey quilt.  I've spent two days outlining all the shapes with monofilament thread. I outline everything using monofilament on top and in the bobbin, with a size 10 titanium topstitch needle. This stabilizes the entire quilt, and reduces the amount of shifting of the fabrics on the wool batting.

Now that the outlining is done,  I can play with the beautiful threads and doodle in the areas between the garden elements. But back to the question; how do you quilt a hockey bag?  This question has never come up before, so I went to my notebook full of quilting ideas and found one idea that would work.

This is the sketch in my quilting design notebook that I chose for the hockey bag.

I keep a notebook (3 ring binder) full of quilting ideas.  So when I need an idea I go to this resource.  This is the sketch of an idea that appealed to me. I used a rich variegated blue thread and it looks great.

I chose a rich blue variegated thread for the quilting on the bag.

Now, how do I quilt a hockey skate?  There is very little space to fill, so I chose a shiny gray thread and began a spiral where the ankle bone pushes out the side of the skate.  I just detailed the rest.

The hockey skate has been embroidered and quilted.

It's time for the sky. So I'm just going to play a little keeping the scale of the curls, coils and loops small.  There is very little space between the hockey sticks and other items to do much quilting.  I chose 2 variegated blue threads to use. The darker for the center and the lighter one for the 2 sides.

Thread choices for quilting the sky.

Here is a closeup of how the coneflowers are detailed and stitched.

Now all that's left is the  grass on the lower edge and the border.  Hmmmm what will I use for the binding? The binding is almost sewn on, here's a peek at how it will look.

Here's a look at the binding and the midnight variegated thread used for quilting the border.

 So it's almost done.  I already have an idea for my next quilt.

Ann Fahl

Embroidery on The Sun God's Garden

After spending so much time and thought on the composition of a quilt, it's fun to actually begin the machine work. For me, the embroidery is what adds rich texture, and holds all the pieces in position.  I do this in a hoop so I don't need any stabilizer underneath the pieces.  This creates a softer quilt top and allows the quilting (over wool batting) to add more dimension to the finished product. For more information on how Ann handles her embroidery refer to her book, Coloring with Thread.

Detail of Scraps of a Different Color showing rejected embroidery pattern

Being a coneflower fan, I wanted to begin with them.  I had already decided how I wanted to embroider my angular flowers. First I had experimented on another quilt where I discovered that I didn't like my first idea. This is why it is so important to test out ideas first, so problems can be avoided on major pieces of work. So I had to rethink my ideas and this is what I came up with.

Embroidery and quilting detail of coneflowers with honey bee

Each petal was detailed in the opposite direction with a variegated pink thread. This was a simple plan which I could easily accomplish, yet different than anything I had done before.

The papyrus was another challenge.  How will I embroider them?  I chose to use metallic blue and green thread to detail the heads, and gold thread for the sepals. This was lots of fun and a challenge to work with metallics.  I had finished writing my Mastering Metallics booklet by this time, so I tested out some of my suggestions! The detail on the curved edge is really pleasing and adds richness of texture.  I also love the little circles that hold the seeds in the papyrus head.

Harry becomes the focal point using Superior Thread's Midnight Rainbow #844

 And then there is Harry. I knew all the embroidery on the bird was going to make him come to life. I didn't worry too much about individual feathers, I just wanted texture.  Midnight Rainbow add the color I wanted over the double dyed blue/purple fabric. Notice that the grass behind the bird adds more depth to the quilt.

Now that the embroidery is complete, all that remains is the quilting.

Time to put the Sun in the Garden

The sun rests above the garden.

The black "bowl" above the heron's panel is actually a cow horn headdress.  It holds a flaming sun that I created from a commercial fiery red fabric. One of the earliest symbols in ancient drawings and art is the sun disk.  In early Egypt is was shown as a headdress worn by the goddess Hathor, or seen as simply a round disk in the sky.  Now the flaming red sun fabric can warm my quilted garden.

It is now time to permanently fuse all the pieces in position.  I do this on my design wall, after painstakingly removing the paper backing from the Wonder-Under.

I thought I was done. After reviewing a photo of the "finished" piece, I realized that the panel behind Harry needed a little something.

Addition of grass in center panel

I cut out some little grass like shapes and they seemed to fill the soil area behind Harry. Yes, this is a small thing, but the empty field now has what it needs.

Now it is time to begin the embroidery.

Garden of the Sun God -or- Harry leaves the paper

I have been arranging, moving, shifting pieces of the quilt, taking breaks, looking at the quilt again, and using binoculars backwards. Taking digital photos and carefully looking at the image on the little screen of your camera can also give you another view of the quilt.  I've moved Harry up, then down, over a little bit, and finally he is resting on two lily pads in the pond.

Harry finally gets pulled off of his paper foundation.

Almost all of the elements are in place.  Harry has been oh, so carefully removed from the baking parchment sheet and pinned in place.  Originally, I wanted him to rest on the big carp in the center, but I had chosen a light yellow/green/purple painted fabric and his feet disappeared due to lack of contrast.  So, I wound up cutting the fish in half, putting the fish halves on each end, and moving the lily pads to the center, so he could rest on them. Yes I could have fabricated a fish out of a different fabric, but I loved the first one I made, so this shift in plans made everything work!

Look at the papyrus on the left you will see a similarity in my arrangement  to one of my favorite quilts On the Nile. The "swooping" papyrus that crosses over the lower part of the sashing was inspired by a gold box that was included in the King Tut exhibit that traveled the world in the late 2000's.

There is still that empty red spot in the upper center of the quilt.  The symbol of the sun god will go there.  You can see my white paper pattern in the place where it is to rest.

Garden of the Sun God-or-Harry the Heron comes back

Harry the Heron has been fabricated and fused onto baking parchment.

Needing to concentrate on the heron, I removed the papyrus and coneflowers that had been floating on the background. Doesn't he look great standing in front of his new home?  This is such an exciting part of the design process when everything is flowing well.

I wanted to make the coneflowers, one of my favorite images to use in quilts; look Egyptian.  So I drew them to fit in a diamond shape to become more angular.

A left-over Egyptian coneflower.

 I cut out more coneflowers than I needed, but that always leaves some to use for embroidery practice. If you look at my quilt Scraps of a Different Color you will see an extra one that has been inserted into a collage.  By doing this, I learned how I didn't want to embroider the flower in my Sun God quilt!  If you look at the close up images you will see how it was embroidered. Allowing yourself to play with your images and experiment with ideas is important because it helps you make better decisions when it comes to your more important work.

Here is Harry now standing among the papyrus and coneflowers.

The coneflowers have been pinned in place, with long graceful curving stems and a few green leaves to anchor the plant.  The papyrus are back in position, with a warm brown fabric that was eventually used for the stems. Things are looking good.

Why is Harry still pressed on baking parchment?  Because at this point in the design phase I want to be free to move the all elements around until I am completely sure everything is in the right spot. His beak, feathers and legs are too long and narrow to be able to shift around; so he stayed on paper until it was time to fuse everything on permanently.

Tune in next time, to see if Harry gets glued on!

Ann Fahl

Garden of the Sun God

It is time to introduce to you my latest quilt, completed this past spring.  You can visit it at Houston if you go to the big show in October.

At the time of its creation, my teaching schedule had slowed down considerably, so I had more relaxed embroidery and quilting time with this large quilt. It was a joy to make.  I did envision how this quilt to should go together, the background is 4 basic pieces, a little different from my usual style, but similar in feel to Egyptian Garden II.

The working title for this new quilt was Egyptian Water Garden III. The plan was to paint a large panel of fabric which would be divided into 3 thin strips for the background. I always cut the white base fabric a little larger than needed, to give myself some options in how to trim it up for the quilt. So I used about 1.5 yards of "prepared for dying" white cotton.  I poured and dribbled lots of sky blue stuff on the top and browns, greens and yellows for the lower edge.  I twist up the fabric into a long log so the Setacolor paints intermix in interesting patterns.

This is the hand painted panel, pressed, sliced into 3 sections, auditioning a sashing strip.

I envisioned a water garden, with papyrus, pink coneflowers, and a blue heron fishing in a lily pond. So above you see the very beginning! Remember, this will have an ancient Egyptian feel to it, but I created most of symbols to make it mine!

The sashing strips were cut from a rich hand dyed fabric by Dagmar Plenk of Milwaukee. It was a luscious fabric blending red, gold and rust dyes. It made me think of very hot desert when I saw it for the first time. Above the shorter center panel I will place the symbol of the Egyptian sun god.

The strips are pieced with the red sashing. The lower dark blue strip is being auditioned for the water.

The heron is supposed to be fishing in the pond, and I have decided that the special water fabric I have purchased is too heavy and dark.

Auditioning another lighter turquoise for the strip to become the pond.

This lighter fabric blends and subtly contrasts with the upper section, so I'm much happier with this selection.  Good thing I had it left over from my Orange Coneflower Quilt.

Auditioning red fabrics for outer border.

Now the inner section is complete. All the while I have been working on the background, I have been unsure about what to use for the outer border.  It must harmonize with the inside, yet be heavy enough to hold all the sections together. I'm not there yet.

More border auditions.

It seems that I'm getting closer to a border.  I like the fabric on the lower left that changes from bright red to dark red. This creates an interesting border with some movement; this works well with the water idea.

Tune in next time to view the exciting conclusion.......What will be chosen for the border!

Have a good weekend.

Ann Fahl

Ann Becomes Ancient History!

My Great Grandfather, Pascal Kenyon Shaw  1854-1928

This is a day that I never thought would arrive, and it has.  I feel that I must mark this day with a more personal message to you, my readers.  I remember when I was a little girl asking my father, in what year I would be 50 years old.  Fifty was an age that was beyond anything I could possibly comprehend.  I also remember when I was 24 and a good friend of mine was 30, I thought she was ancient!

Ann Fahl, April 11, 2012 a landmark birthday

Today, I can be covered by Medicare and begin receiving Social Security checks.  How could I ever have gotten to this day?  It's mind boggling, how has life gone past so quickly? So in this photo, I am sitting in a pose similar to that of my great grandfather, (but don't you think he was handsome?) but I am certainly having more fun! I'm sitting in front of my newest quilt background, which was pieced today, I'm wearing red socks and shoes.

I've had a lovely day, we had special cookies at coffee this morning, lunch with a friend, it is sunny outside, and tonight we are going out for ice cream. We will have a family celebration with my sons this weekend. But somehow, I feel I should be old today!

On my cutting table, daffodils in a vase by Judy Coates Perez

My studio is cheery and sunny today and my garden is so beautiful.

Doronica, a shade loving plant is blooming much earlier this year.  When all the buds open it will be full of bright flowers.

The May Apples are just about open, even though the temperature got to 28 degrees last night.

And look at the hyacinths that are blooming in my front yard.

So this is how my life has been today. The daffodils are still beautiful and I have 3 bouquets in the house, they smell heavenly. 

I was 29 years old for many many years.  Five years ago, I had my 30th birthday, and I've been 30 ever since.  But to be really honest, I'm not 30 anymore.  My son is 30!  I should feel very old today. 

I feel so many conflicting feelings, but to be truthful, I don't feel old.  I've just finished a great quilt; starting another, the master gardener classes have been fun and informative, life is good I don't have any compaints.

Yesterday I took my Silver Mist Toyota Camry in for her 90,000 mile checkup. This was an expensive proposition, with new timing belt, serpentine belt, fluid changes, tires rotated and on and on.  When all was completed, I thought Misty and I could ride off into the sunset together! But I've had a change of heart, we are driving to Paducah together instead.  Hope to see you there.

Ann Fahl
Age 30 years.

The Show is Over

This happens every time at the conclusion of a show.  For months and sometimes years, I have prepared for an exhibit. The opening is a thrill, because the work is hanging on the walls and it looks so wonderful.  I can't believe that I have created all that stuff!

Then the end of the show arrives, everything comes off the walls of the gallery, and it gets packed up to go home. It's over.  Then this cloud seems to hover over your life.  It took so much preparation and it's over, another artist or group arrives to hang their show in your place.  So I'm feeling the downturn in my spirits.  Now when this happens, I'm not surprised and I understand what is going on.

This time, we are experiencing this wonderful very early warm spring in Wisconsin and I can go out and dig, rake and transplant! This is a sure thing, it makes me feel really good.

Hepatica, a wild flower that is filling a spot near an old stump on a hillside.

Little sprouts of May Apples are pushing through the leaves.

Here is a cluster of May Apples that are beginning to open.  Soon when will be like umbrellas that are knee high.

There are daffodils and narcissus everywhere. 

The King Alfred Daffodils bloom outside the windows of my studio.  On a warm day the fragrance is wonderful.

These white primroses have never bloomed for me.

These little primroses have never been so beautiful.  It must be the mild winter and early spring that has made them so large and colorful.

These purple ones are always the first to open up.  I usually find them in mid April when I push the leave aside and find them. 

All these flowers and brilliant colors have boosted my spirits, and when the weather is warm enough, I am in full gardening mode.  My quilting will have to wait!

Ann Fahl