Quilting Fresh Salsa! part 1

Let the quilting begin.....................................................

Here is my sample flaming spiral.  I don't make pretty samples this is really how I work. Did you want glamour?

Let me tell you this quilt has been a challenge from beginning to end. Beginning in the center, I have planned on quilting a flaming spiral with red thread in the center.  Just to make sure, I practice on a sample first.

The actual flaming spiral in the center of the quilt. I like how the thread subtly blends with all the fabrics

The plan is to work from the center out.  I have taped my paper plan to my sewing table so I can refer to it as I move out to the next row.  This feels very much like following a cross stitch diagram or knitting pattern. So I continue to make small samples, change thread color where needed and keep moving outward.

Here is one of the first yellow arrow segments just outside of red center.

Quilting the yellow arrow segments began with a challenge. I wanted to try quilting it with the red thread, and after sewing one leaf, I realized the error of my plan.  The yellow variegated thread really worked the best.  Notice how it subtly emphasizes the leaves in the quilting pattern. I did the same thing in all four arrow segments.

Detail of dark variegated thread on the green triangles.

I worked around the next ring around the quilt, using yellow and red threads.  Then I got a chance to use the dark variegated thread on the green segment. I was very pleased with how it looked. It took quite some time to quilt my way out to the outer edges of the quilt.  I took my time, stopping for the day when I got tired.

I have found that when I quilt for extended periods of time I start to make mistakes and bad choices.  Since there is no deadline on this quilt, I can just take my time. This is a very relaxing way to quilt.

Along the way, I found that the darning foot was catching on the spots were all the seams come together. Since I have reached my limit of blog space, please see part 2.  Continue to scroll down.
Ann Fahl

Variegated Thread with Fresh Salsa?

My three choices for thread in the red areas of the quilt Fresh Salsa.

You may think that selecting thread for a quilting project is a small thing, but it's more important than you think.  It pays off when you make the right selection. So now I've got this top that is a cacophony of red, green and yellow, what thread should I choose?

One of my issues with sending your top out to someone else to quilt is that you usually get one color of thread for the quilting. This would make my quilts so boring! Mattress pads are quilted with white thread, how exciting is that? I choose to use multiple threads, usually depending on the color of the fabric where it will be used. No mattress pads for me.

Learn to machine quilt so you can finish your quilt in the manner you choose!  You can do it!

Auditioning the thread. This is shown using white paper just for illustration. It should actually be done on the fabric of your choice.

 Back to Choosing Thread:

• Pull out all the colors you think might work.
• Audition them by unreeling about 36 inches of thread and letting it puddle on the project.
• Give each thread a rating:  yes, no, maybe.
• Give a second look to the yes and maybe threads, I throw the ones I like best into a basket or bowl, so they are accessible when the quilting begins.
• If unsure whether to use thread A or B, sew up a little sample of both; hold each sample up to the quilt top, and this should help you make your decision.
• There is nothing worse than having to rip out lots of machine quilting, after you figure out, you should have used another thread! I have lots of personal experience in this area.

Solid color or Variegated? This is a personal question. Most of the time I prefer to use variegated threads when I quilt. It makes the stitching more exciting on solid color or mottled fabrics. But if you are using prints a solid color thread may be a better choice.  Audition both types of threads to see which you like best.

Contrasting or Matching thread?  Here are some tips I have learned over the years.

• Matching thread will be less visible, and will hide irregularities in the quilting.
• Contrasting thread will really accent the quilting, look great from a distance, but will show everything little booboo.
• A slightly richer color will subtly enhance the quilting without being too distracting.
• Lighter threads on deep fabric will usually look good.
• Dark threads on light fabric are very challenging, all the mistakes will show.
• The choices are up to you.

Rainbow variegated threads, # 851, 814, 844 from Superior Threads

I have chosen three threads to use on my quilt, most are subtle contrasts with the rich colors in the quilt top. The yellow will look great on the small yellow areas of the quilt, because it mixes several yellow tones there will be subtle contrasts and matching colors here. The red thread includes red, purple, and gold, this makes the red areas more exciting. The darker rainbow thread looks great on all dark fabrics and will make the green areas richer on this quilt top.

The quilting will begin next.

Ann Fahl

The Quilting: Garden of the Sun God

By now, you may all hope I am done talking about this quilt. To an artist, the piece they have just finished is always the best work they have ever done.  In time, this may change, as it's success or lack of changes my opinion of the work! But for now, it is one of my best.

Detail of quilting at the base of papyrus

Now the quilting has begun. This is the most exciting for me, because all the time and effort I have put into the fabric selection and embroidery pays off. First, I detail all the pieces using monofilament thread in the top and bobbin. Don't cringe.  I have been doing this since the 1980's and it has been successful for me. When monofilament thread is used in the correct way, it will be your best friend. Outlining and stitching in the ditch are two of the best uses no one will ever see it!

Quilting detail of the pond

Next I pull out all my decorative threads and quilt all the empty or negative spaces.  This is what I'm doing when I feel that I am dancing on the quilt. The texture in the quilting brings the subjects to life. This has become an intuitive process for me, because I have been a machine quilter since 1988. This is why I wrote a book on machine quilting--my variety of course.  It is spontaneous, unstructured and informal.  There is too much stippling and feather making on quilts today, and that doesn't work for me. So I wrote Dancing with Thread so others might feel free to experiment with my ideas and techniques.

Quilting detail on the fish and border

I love quilting little scales on fish.  Using a pastel variegated thread, I detail the face and fins first, then use a little clamshell stitch to create the scales.  Without doing lots of detailed fusing, I just use a hand painted fabric, quilt it up, and it becomes a rather life like fish.

Once the quilting on the interior of the quilt is complete, I work on the outer border. After some looking in my notebook of quilting ideas, and looking at earlier quilts I decided to use half a coneflower on the inside edge. They are evenly spaced out along the seam. I used a silver or a white pencil to mark the outlines of each one. The flower has a spiral in the center, and there is random stitching filling the rest of the border. A bright red variegated thread #832 Rainbow, worked beautifully on the various reds in the pieced border.

Allow me to express an opinion here. One of the sad things I am finding in the quilt world is that more and more people are handing over their quilt tops to someone else to quilt.  By doing this, the quilt is no longer the work of one artist! And.....they are missing the most satisfying part of the quilt making process.  LEARN TO QUILT SO YOU CAN COMPLETE YOUR OWN QUILTS.  It's more fun!

Ann Fahl

Quilts in Color, part 5

Rhonda Rodero is featured today. She has no website, but in the Racine Area, quilter's are aware of her wonderful talents.  She is my neighbor:  meet Rhonda.

The Anderson Art Center

January 29-March 25, 2012

6501 Third Ave.

Kenosha, WI  53143

262-653-0481

hours 1-4:00 Tuesday through Sunday

Wisterias Bloom, quilt by Rhonda Rodero

Haiku  by Marisa Rodero
Wisterias bloom--
Laced with a golden breeze stay
Untouched in glory

Rhonda Rodero comes from a family rich with artistic talent; poets, painters and dancers to name a few. She also has had the advantage of a colorful cultural heritage. She grew up in Arizona and studied in El Salvador, Madrid, Arizona State University, and the University of Southern Florida. Her background provides her with a wide range of subjects from which to draw and a sunny palatte of colors to combine in her quilts. Rhonda found her passion when her husband gave her a sewing machine for their first wedding anniversary.  (He thought she could do the mending!)

Detail, Wisterias Bloom by Rhonda Rodero

Quilting became a serious occupation by the time her two daughters were almost grown. She currently lives in Mount Pleasant, Racine County which is rich with quilters at all levels.  

 Photography and drawing are two of her hobbies which serve her well when it comes to designing her quilts.  She chooses subjects from nature; landscapes, birds and plant life. She uses rich fabrics and covers them with lifelike embroidery and quilts them with close attention to detail to create a sculptured look to her subjects. 

¡Pura Vida!, quilt by Rhonda Rodero

Zenith of Color, quilt by Rhonda Rodero

Combined with her artistic eye, her attention to detail has brought her success in shows and competitions. She has been awarded many prestigious prizes in area and national exhibits.

Night Blooming Cereus,  Jasper? Cleo? Is That You?,  and Profusion of Color, quilts by Rhonda Rodero

Quilt detail Profusion of Color

As you can see her ability to draw is very important in her work.  Her sense of color is amazing.

Flight of Fancy, quilt by Rhonda Rodero,  her most recent piece

Even though I don't have a detail photo of this quilt, you can see more of  the attention to detail that I've been telling you about.  Rhonda's heavy quilting makes this quilt come to life with texture. 

Many years ago, Rhonda asked me to come into her house to look at a quilt that she was working on.  I didn't know her well at the time.  She had some questions about some sewing or piecing, I don't remember the exact nature of the difficulty she was experiencing.  I said, "Pull out your thread, and let's see what you might use."  She opened a drawer, pulled out a small box with about five spools of thread in it.  So I said, "Where's the rest of your thread?"  Well those 5 spools were all she had collected!  As you can see, Rhonda's collection of both thread and fabric now includes a broad palette of colors.

Thank you Rhonda for your wonderful work.

Ann Fahl

A Peek at "Quilts in Color" part 1

I drove down to the Anderson Arts Center to see the quilt exhibit again, and to take all the photos that I didn't have time for the day of the opening.  It's a lovely old mansion, filled with light and beautiful views. I will begin showing you the exhibit Quilts in Color, one artist at a time.

The Anderson Art Center

January 29-March 25, 2012

6501 Third Ave.

Kenosha, WI  53143

262-653-0481

hours 1-4:00 Tuesday through Sunday

View from one of the upstairs galleries.  Lake Michigan was very churned up on Sunday.

I'm going to begin with Gloria Hansen's gallery. Her work was lighted, gloriously, get it?  I have always been attracted to the color and movement in her work. Years back I was quite taken by a tiny piece called "Blushing Triangles."  I liked the colors, her threadwork and the visual impact of the quilt.  This was my chance to see more of her work in person.

Circles Collide, by Gloria Hansen.  Here is one of her medium sized pieces over the lovely Italian marble fireplace.

 

 

Gloria Hansen lives and works in East Windsor NJ.  She is considered a pioneer in uniting the quilt maker with the computer, and in 1996 she co-authored The Quilter’s Computer Companion, a ground-breaking book published by No Starch Press. She also wrote or co wrote 13 titles in the Free Stuff on the Internet series publishing by C&T Publishing. Her latest book Digital Essentials, the Quilt Maker’s Must Have Guide to Images, Files, and More, published by Electric Quilt Company.

Color Fields 1 by Gloria Hansen.  Candace Hoffman, the curator adds 3D pieces throughout the galleries.

 

 

Detail of above quilt showing the metallic thread use.

The above quilt was the smallest in her gallery.  It was my favorite because of her expert use of a flat iridescent thread, probably Sliver or Glitter.  The twinkle that the metallic thread added was beautiful.

Gloria’s work has been exhibited throughout the country and abroad for over two decades. She says “My work is about geometric shapes, photographic imagery, and visual ambiguities expressed in cloth and stitch. In this collection of work, I’ve selected quilts spanning nearly a decade in time. The common thread among the pieces are bold color and geometric pattern. I designed each quilt using computer software."

Perspectives II by Gloria Hansen.  This is machine pieced and hand quilted. When I stepped back from this quilt, the dramatic perspective was a surprise.

"The oldest piece is from 2001, and it features fabrics that I hand painted or dyed. The remaining works all feature fabric that I digitally painted using computer software and then digitally printed with archival ink onto silk or cotton fabric. The surfaces also include some traditional media, such as fabric paints and pastels. The oldest work is machine pieced and hand quilted, the other seven pieces are machine pieced and quilted.” Her work has been included and appeared in shows, competitions and galleries around the world.

Upper--Squared Illusions IV,  Lower--Witley Decay 2, by Gloria Hansen

 

Upper--Going in Circles, Lower--Going in Circles II, by Gloria Hansen

 

 

This is the end of the Gloria Hansen exhibit. Be sure to visit both her website and blog to learn more about how she works. Thank you Gloria for sharing your work with us.

My next installment will feature quilt artist Marcia Stein.

Ann Fahl