Fun and Inspiration with Mary Ellen Hopkins

Back in the early 1980's I was a new quilter. My husband was watching the children while I spent a Saturday at a WQI meeting (Wis Quilters Inc.) At the time, the members had to bring their own lunch to eat between the morning lecture and the afternoon speaker.  This particular meeting, Mary Ellen Hopkins was the speaker for both time slots.  I had no idea what was in store for me that day.

Mary Ellen Hopkins

What a treat, she was a stand up comedienne/quilter.  This was the first day I was ever hit with a big idea, inspiration that kicked off my own colorful quilting career.  Mary Ellen was so funny, her entire talk was lots of fun.  She started to talk about finding a colorful splashy fabric that could be cut up into half squares; arrange the pieces and sew them back together! Just one fabric, not 5, 10 or 20! This is when the inspiration hit.

Only the day before I had been shopping in a local chain store and seen a red, blue and yellow print that I loved, but couldn't figure out what to do with it. You can guess what I did. The very next day, I drove to that store and purchased some of that fabric*.  I set the triangles in a black border and was absolutely thrilled with the result and ready to create another. This quilt led to another, and another, and you get the idea. 

Closeup of a similar quilt, using one fabric and sewing it together.

Mary Ellen has recently died.  She taught, lectured, and wrote books and articles that entertained and inspired quilters around the world.  I was one of them.  Thanks Mary Ellen.

Symphony of Color by Ann Fahl

*Ann no longer has the quilt that was inspired this day.  It was called "Fun with Triangles."  There is no photo of it, but it is in the collection of Wheaton Franciscan Hospital in Racine.  The fabric scraps, if there were any, were all cut up into triangles and used up! Some of Ann's more recent triangle pieces can be seen on her website. Half squares will always be an important part of her quilts.

Winona on Ice

This is part 2 of a blog about small photo quilts.

After making the two smaller quilts, I printed this larger winter scene in 2 halves and pieced them together, to make a larger quilt for myself. I added two outer borders to frame the scene.  It is called Winona on Ice.

Winona on Ice, a quilted photo by Ann Fahl, © 20 x 15.5 inches

This photo was taken several years ago, and I always wanted to quilt it for myself. This is the view of Winona Lake IN when you first arrive.  Now that the quilt is finished; when I wake each morning, the first thing I see is this quilt! It is the next best thing to actually being at Winona! I like this photo so much that I'm thinking of having it printed on a larger piece of fabric!

Again, using the Bottom Line thread (Superior Thread)  in the top and bobbin, gave me quilted texture without covering up some of the tiny details. It was important for me to carefully detail all the cottages across the lake; as I know most of the people that live in them. I chose a light gray for the sky, but right above the horizon there a subtle orange glow, so I used a soft coral thread for the quilting. If you look closely you will see the shape of a ginkgo leave quilted in the upper right hand corner of the photo and border. So with this fine thread you can achieve interesting effects with machine quilting.

The frozen lake is quilted with light gray. The weeds in the foreground are detailed with Superior Threads # 855 Rainbow thread. It was the perfect choice. This thread is quite a bit heavier, so it gave great ragged texture to all the tall reeds and weeds on the shore nearest the viewer.

Larger photos of the quilt are on my website.

The photo was printed on "Printed Treasures" by Dritz.

After this quilt was completed, I felt sufficiently "warmed up" and ready to tackle a larger design; so I  made  End of the Hockey Season! This was a subject of many blogs.

Ann Fahl

Fresh Salsa's Finale with Summary

The Border

We're at the end of the project. It's time to quilt the border. Again I have returned to that plan I drew up before all the quilting began. 

Ann's quilting plan for Fresh Salsa

 I doodled lots of things on the page but here's what I did for the border it is done in two parts.

Part one of the border.

I marked a curvy line in the border, dividing it roughly in half; with a silver pencil.  I danced (quilted) this area with leaves, spirals hearts and spirals. Then I went around the outside with some curvy lines that intersect the outside edge. This will make a nice flat edge when I block the piece and trim the edges.

Finished border.

The Binding

I found 4 different fabrics that might work for the binding.  It's always exciting to get to this point, because I know the quilt is almost done.  Put some careful thought into your fabric choice, because this is like a frame on a painting. Think of it as the sparkle on the edge. When you look at your top, do you want a contrasting edge or a subtle edge?  For me, it depends on the quilt and my mood at the time.  For more info on bias binding, may I recommend my booklet on binding.  You may think differently about it after reading the 28 pages that I've written. 

Here are the fabrics I though might work for the binding.

So which fabric won?  I thought it would be the green check on the left! The red/pink/yellow multi was too busy.The green/blue/red stripe was a decorator chintz looked great. I went out and purchased the small stripe on the right.  It had a sense of humor and pulled out all the colors in the top, but when placed on the quilt itself it was more pastel than I wanted.  So the winner is........the green decorator chintz.

Fresh Salsa, ©2012, finished and bound, 50 x 50 inches

Review:  hints for successfully quilting a pieced quilt top

• Always make a sample of machine stitching every time you have re-threaded the machine or changed something.
• Use the correct needle.  I prefer a topstitch needle.
• Find the darning foot that works best for you. You need good visibility and it must ride high enough to clear the thick areas where the seams meet.
• Reduce pressure adjustment on the pressure foot, check owner's manual for it's location.  I reduce the pressure to 0 on my machine.
• Darning feet do wear out.  If it squeaks you might lubricate the foot with a dot of sewers aid. With a small brush, remove excess lint which may be clogging the spring. If you've used the foot for a long time, it may be time to get a new one.
• Adjust the darning foot so it rides higher by using the wheel on the attachment, by bending the thin bar on top, or using Diane's method of adding an "0" ring to raise it up.
• Wear quilter's gloves to give good control of the quilt under the darning foot. 
• A SewSlip creates a smooth slippery surface for easy movement of the quilt on the bed of the machine. If you haven't tried one, they are worth the price.

Happy piecing and quilting

 Ann Fahl 

Quilting Fresh Salsa part 2

Darning feet for Janome, the center metal foot is adjustable.

One of the monumental challenges I faced is what happens when the machine gets to an area where many seams cross. The foot would get caught on the "lump" and not move.  Then when I tried to force it I'd get a few huge stitches, which didn't look very good.

My goal is to create as even a stitch as possible. It stumped me for a little bit, and I realized why many quilters send their tops out to be quilted! Then I remembered that I could adjust my darning foot. (See image above, the center metal foot.)  All I had to do was spin the little wheel above the needle bar until the foot was high enough to just skim over the lumps.  It took awhile, but I found the correct level. For a complete blog on darning feet check out my earlier blog. For Bernina owners, Diane Gaudynski has a method to alter their darning feet check out her blog to read about this.

Altering the darning foot. If you have the above, clear style darning foot, many people find that it drags above the throat plate, even if the pressure on the foot has been reduced to zero.  This isn't a manufactured recommended procedure but it works:

• Remove the foot from the machine and slightly bend the little bar down (area shown below the arrow).
• To do this, turn the foot upside down, and firmly press the bar onto the edge of a table or something substantial to do the bending. Bend it just a little.  You will feel it "give."
• Do be careful, as you can damage the surface of the table when doing this. Your are responsible, not me.
• Re-attach the foot on the machine, if it is still dragging, remove and bend it a little bit more.

So much for darning feet, let's get back to the quilting.  I completed the center quilting by continually consulting my plan as shown in blog "Machine Quilting Fresh Salsa." This wasn't the fastest quilting job I've ever done, but I followed the map and finally reached  my destination.

Now it's time to quilt the border. How in the world am I going to quilt it?

Ann Fahl

Machine Quilting Fresh Salsa!

It has been awhile since I've done any machine quilting. When this happens a person becomes a little rusty, so I've decided to quilt an old top that has been lying around my studio for about 10 years. This project should get me back in the swing of things.

Fresh Salsa, top only, © by Ann Fahl 51.5 x 51.5 inches

A long time ago this quilt was to be an entry for the special Viking showcase gallery at the IQA show in Houston. To qualify, it needed to be 51 x 51 inches. My sons suggested that I make a quilt about salsa.  I love good fresh chopped tomatoes and pepper as salsa, I could eat gallons of it. Selecting half square triangles in red, green and yellow, I arranged a centrally oriented design, then overlaid a drawing of a tomato cut in half, lined up red iridescent bugle beads on the pencil lines, sewed them all on using NYMO thread, folded the top up and tucked it away in my closet!  I'm sorry, but I never took a photo of the beaded top. You'll just have to believe me that the beads really didn't enhance the over all look of the top.

The red bugle beads that I removed from the quilt top.

Years later, I pulled it out, hung up the beaded top in my studio and decided that the superimposed beaded design didn't enhance the central idea of the quilt, and removed the thousands of beads. Several weeks ago, I got the top out of the closet again; pressed it, blocked it, and pin basted it together. Now I'm machine quilting it.

This is the first time, I have ever quilted a pieced top. Just a pieced top, no beads, embroidery or applique over the surface. For me, this presented a big new challenge. I've thought and thought about how I would quilt it. So I flipped through my recent book on machine quilting, and came up with a plan.

I took a photo of the quilt, and printed 3 copies on 8.5 x 11 paper. I spent an evening doodling on the photo with a black gel pen, and came up with some very specific ideas on how to quilt each defined little area.

Doodling on a paper photo of a quilt, helps me decide what would look best as a quilting design.

Most of the ideas I used, just as is, others have been changed to some extent. Now I'm getting excited, it was time to begin the real quilting.  It has been a long time since I've quilted anything!  But before I can begin I have to select the thread.

We'll talk about thread and quilting next time.  It feels good to be working.

Ann Fahl